Hello December – Flowers, Reviews, Conversations

The winter flowers are in full bloom. We didn’t grow many in the new house. I have just lost interest. My search for a home continues and I fill my empty hours with colors. I had forgotten this post in the draft so sharing now after updating a little. My laptop is still not working properly and that is the reason for this chaos here. Hope you’ll understand.


Yesterday while wandering in the city I spotted the gorgeous Pink Floss or the Mexican Silk Cotton tree with its bright showy flowers. This is the second flush The flowers are orchid like. These trees were introduced to Delhi and planted en mass in the 1950s.

I will be doing some more posts on Delhi, its trees, monuments and other things close to my heart.

Meanwhile Kashmir Lit, an online journal of Kashmiri and Diasporic Writing, published a review of my poetry book Wayfaring.

Here is an excerpt :

Tikuli Dogra emerges as a poet of transcendence. She seizes a moment, (be it in memory or imagination or in real time) describes it in broad word strokes, bringing her inherent painter to fore. This description itself becomes a meditation of sorts and culminates in a Zen-like insight/awareness that leaves the reader in a state of calm stasis.


You can read the review HERE 

A very special conversation took place over emails with Nigerian Poet David Ishaya Osu.  David is a young poet I admire. Extremely talented he is one of the very few interviewers I enjoyed conversing with. He is sharp, witty, sensitive and very intriguing and it was a pleasure to share some thoughts on poetry, life, food, blogging and other things with him. Do read his poems and the interview which got published in Gainsayer Magazine.

Here is an excerpt


Some stray questions in one (laughs): what is it you do not like about poetry? As a poet yourself, does poetry mystify you? And what is that one thing you wish people get about poetry? 

(Laughs) It may seem very odd now when I say it but over the years I have begun to dislike the ‘dreamy creamy’ stuff dished out in the name of poetry. Some years back I was writing something similar and then one day I purposely took down many of my earlier poems from my blog and elsewhere. Once you learn the nuances of the craft you know the good from the bad. I also detest the use of clichés in poems.

I like to be mystified by poetry. I like the unknown, something that holds me, makes me think beyond what is visible, beyond understanding. I think good poetry is all about taking the reader beyond the familiar. You peel a few layers and think you’re close but then there are more layers. Just like art.  Poetry should mystify so far as to draw you into it.

Most of the time we are in pursuit of mastering the art and not leaving an element of mystery in it which I think is a mistake.


Do read the full interview by visiting this link –

Tikuli Dogra – Poetry is life for me 


My short fiction about gender violence and war crimes against women is featured in ‘Muffled Moans Unleashed‘, an international anthology of poetry and fiction focused on child abuse/gender violence. The book has contributions from award-winning writers.

The book is co edited and complied by Lopa Banerjee along with Dr. Santosh Bakaya and is published by AuthorsPress, New Delhi. It’s available on Amazon so do get your copy and give me your opinion on the story. The book was released in Kolkata at the Iran Society, 22nd December, 2018 in the presence of the literati, social activists and short filmmakers of the city.
I have a few very important posts on Delhi Monuments which I will start sharing from tomorrow. I hope to cover all the pending posts before the year ends.


Wish you a Merry Christmas and happy holidays. 


Kitaab Review Of ‘Wayfaring’ & A Blog Feature



Spring came quietly in my city and suddenly it was ablaze with fiery Semal flowers. The stark branches tipped with its large crimson, orange and pale yellow flowers towering above the city structures look like giant brushes painting the city skyline. Semal is the first tree to bloom and pave the way for Coral tree, Jacaranda, Gulmohar, Leburnum etc. I spotted a few tesu trees along with the Lilac Kachnar.

The carefully landscaped roundbaouts are a riot of colors and so are the gardens in Delhi. The newly opened Central Park (Sunder Nursery) is in my list of Must Visit places.  The two Gorgeous pink bougainvillea trees in Lodhi Garden are a sight to behold. I  will try and do a separate post on these. Spring is Delhi is short lived with harsh winter in its backyard and summer on threshold but it brings the fragrance of mango blossoms. Tabebuia Aurea is another beautiful spring blooming tree that one should watch out for. I am trying to locate a Palash tree or Flame of the forest, as it is known in English, in Delhi. Perhaps some more spring pictures soon. 🙂


Meanwhile, a brilliant  review of my book ‘Wayfaring’ appeared  in the fabulous Singapore-based journal Kitaab. This is what a writer longs for. Good readers who explore what we usually don’t see in our own writing, reviewers whose critique is incisive and sensitive, and editors who take this dialog forward. Many thanks to all those who made this possible. Zafar Anjum, Sucharita Dutta-Asane at Kitaab, thank you for the way you always support poets and writers. This is a dream come true. Very honored and humbled.

Bhaswati Ghosh is a writer friend I admire. She has a very fine taste in music too. She writes and translates fiction, non-fiction, and poetry. She is also the Editor -at – large at Cafe Dissensus Magazine where I have some of my work published. One of the magazines I absolutely love for its content.

Bhaswati really gets it when she says, “If solitude is nature’s essential condition, loneliness, its second cousin, is a function of being human. As Wayfaring shows, we don’t always choose loneliness; sometimes it chooses us. When it does, it’s seldom romantic and more like one’s own shadow, impossible to disown.”

Please do read the complete review by clicking on the link above and do buy the book. It is available worldwide with all online book vendors.

In another new, Vishal Bheeroo featured me on his blog. We talked about ‘Wayfaring’ journey as a book and other things. Do read the full feature HERE  

Here’s an excerpt : 

“Wayfaring is the result of a much more positive attitude towards myself and to life in general.  One must never lose the sense of possibilities. That’s the healing that comes from within. I have tried to work that around in the poems in ‘Wayfaring’. Most of the poems in the book are intensely personal and at times I have used nature or another element as a mask to enable me to write about private feelings but mostly the poems are all about ‘laying bare’, befriending oneself and realizing that this difficult phase in life is intrinsic to being alive. This shift in thinking changed my perspective completely and when you read the poems you will see what I mean.” 

Thanks Vishal for giving me this platform.

If you have bought my books please do write a few lines about them and let me know via twitter/FB/Instagram or just leave a comment here.



WAYFARING copies are here ! ; ORR Interview And Poetry At LBP

A lot is happening at the same time. Delhi is shrouded in toxic smog but our shopping  has started in full swing for the upcoming wedding of my son. I hate shopping. ;( It drains me out physically and mentally but this time I am excited so enjoying the researching and hanging out with my boys for some time even though it is walking miles and miles in the midst of shopaholics.

This is the sight that brings relief to tired burning eyes.

Did I share the photograph of the couple? They make a lovely pair. Perhaps you can say a little prayers for them and send your blessings as they embark on a new journey. Can’t wait for these two to get married. 


Perfect 10 / SnigdhAditya


To add to the good tidings my new poetry book Wayfaring is here. Not very many copies. I have earmarked a few for friends and guides. Rest of you can buy it from amazon or any online book seller worldwide. Do let me know if you pick up a copy. Write a short review, post a reader’s selfie. Show your love any way you wish. I am looking forward eagerly.

Here is what joy looks like

I shared a teaser video earlier and here is another fantastic video of my poetic journey with Leaky Boot Press. The video is created by my Publisher friend James Goddard.


It can get hard sometime but when you are approached for an interview by Kulpreet Yadav, India’s best selling thriller writer, friend and editor of a fabulous lit mag Open Road Review, life gets a new high Check out his Andy Karan series and new Vicks Menon thriller Murder In Paharganj on all major book sites. ORR earlier gave space for my poetry. It is a magazine I am proud to be associated with as a contributor.

Except from the interview:

“Kulpreet – As a poet do you have a long-term goal? Where do you see yourself ten years from now?

Me – “For a writer, it is very important to develop their sense of their literary journey. To evolve and grow as a human being and as a writer is the only goal I have. I don’t think about future. Let’s see what the universe unfolds as we go along. As a writer, I just want to enjoy the process.” “

Here’s the link to the full  interview 

When there is so much goodness around one needs to celebrate with some sinful chocolate mud cake from my favorite Cafe Delhi Heights. Give it a try if you’re in Delhi.

Keep watching this space for more updates on the book or check out the book page at the top menu of the blog.


A Poem, A Blog Feature And A Conversation


Nothing is more encouraging for a writer than readers finding a connect with her writings. I never talked about the making of ‘Collection Of Chaos’ and when Ritesh of ‘ A book is a sexy thing‘ asked me for an interview I felt really honored. Though I have given interviews earlier this is special because it is my First Conversation as a Debut Author.

Here is an excerpt :

Q1. Tell us something about your book ‘Collection of Chaos’? How would you introduce it to a potential reader?


Collection of chaos is a journey inside the poet’s mind, her life and all that surrounds it. Each poem has emerged from the complex interactions of heart and mind, the struggles of daily life and a search for oneself beneath all the role-playing. The book wasn’t conceived as a whole but  it’s a patchwork quilt of poems.

It isn’t  just the product of disciplined hard work and learning with an open mind but also of great mentorship. They say that when the student is ready the master appears and I have been blessed to find teachers who not only helped me evolve but also stood by me when everyone including myself had given up on me. They had a profound impact on me as a writer and as a person. Sometimes you need more than your own power to make things happen. This book could not have happened without the support, encouragement and friendship that made me trust those people implicitly.  An artistic evolution is a dream work and each dream work is a team work.

Q2. When was it that you found your call in writing?

Answer:….. Read More Here  –  6 Questions, 6 Answers :An Interview with Tikuli, Author of Collection of Chaos 

There is a lot more to read on this blog so do encourage the young blogger and give your opinion. 

Thank you Ritesh for the interview. I really enjoyed the conversation.


Janaki Nagaraj is an exceptional writer, a very loving and caring friend, and a fellow blogger. When she asked me to write a poem for her blog I felt delighted but honestly I was not ready for the post that appeared today on her blog. To be featured as an Inspiration is a humbling experience. I am honoured and blessed. We all draw inspiration from each other and it is a great thing to express love and gratitude. I totally dig this.

Janaki’s poems have just been published in an anthology called – Minds@Work 2  . Click on the link to buy the book.

You can read her poems, reviews, stories etc  Here – Memoirs of A Homemaker .

Thank you Janaki for being a wonderful friend. Keep writing.


I painted myself

in a corner of your room

(Read  the whole poem on  – Inspirations

Many thanks to both of you for providing me with a platform to voice my thoughts and share my work.

I am eagerly waiting for the feedback, ratings and reviews of my poetry book. Do read and share your views. 

Onward we go. 

Connect with me 

Goodreads Author 

Amazon Author

Interview With Author Kris Saknussemm

I often say ” When the student is ready the master appears “.

I found my Mentor , Sensei , Teacher  in Kris. We met through Facebook and  in less than a year he helped me evolve as a person and as a writer and still  continues to do so. It is an honor to feature this exceptional human being and fabulous writer on my blog.

Kris Saknussemm is  widely acclaimed cult novelist and multimedia artist. Born and educated in America, he has lived most of his life abroad, primarily in Australia and the Pacific Islands. He is also a painter, sculptor and musician.

The reason I wanted to do this interview with Kris is personal. There is something  unique and rare in him, a flame that needs to be shared. Only once in lifetime one comes across someone like Kris who can lend you a hand and help you take those baby steps with so much encouragement and caring that you gain an inner strength to realize your dreams. I learned  a great deal from his perceptions and impressions.

He is an amazing writer and one can draw life from his words.  The richness of his work comes from his being fully awake to the life around him.

Hope you will learn something valuable from this interview. It has been a pleasure to know him and an honor to share his thoughts with all of you. Outrageously Brilliant , he will make you long for more. If you love bizarre , sci-fi, mysticism, tribalism,  totemism, magic and humor, ancient rituals and cults , erotic and supernatural and are willing to be led where He wants to take you then you are truly alive and awake to life and beyond.

Do open the links to discover more.

The Interview

How did your love affair with writing begin?  Tell us about it from where it began.

KS – My family was very story oriented, both in the sense of reading literature, and anecdotes and tales told around the table or in the car on trips.  The latter was an assumed family skill.  To this was added a kind of private superstition of mine from early childhood that words were somehow alive.  So, I arrived at writing from several angles.  The decisive moment came when I realized very practically that I would soon exhaust one of my favorite series of books—so I appropriated the characters and began creating new stories of them for my own.  I remain very sympathetic to fan fiction as a consequence, and to the incorporation of famous characters from literature in new contexts.

What ignites your inner fuel?  Does being wakeful and sensitive to your surroundings help you to create more than any other thing?

KS – I think writing, in fact any artistic activity, is based on a fine balance of being hyper-alert to what’s going on around you—and then being able to switch off and to go inside, to process and imaginatively reconfigure those externally derived perceptions and observations.  The mind is both inside and out, and is forever dynamically shifting those boundaries, defining them, revising them.  So, you have to stay in rhythm with those oscillations.  I’ve also found that the practice and pursuit of art makes one more attuned to the levels of things “going on around.”  For instance, there’s an interesting conflict going on right now in my office between a spider and a moth.  My dog is having a dream.  My local council is about to decide an important town planning issue.  I just Googled on the latest developments in the Middle East uprisings.  Checking my e-mails, I see I’ve been offered the chance to be a book reviewer in the USA.  And then I get a call from a Call Centre in India regarding my water bill, which is overdue.  We live on so many levels today.  Art should make us more sensitive to their complexity and interaction.

There is a mysterious world that emerges out of your writings.  A world very few like to venture into.  Tell us more about it.  What gives birth to these characters in your works?

KS – I lived a pretty adventurous life at various points in the past, and I was fortunately exposed to lot of the things that I think promote creativity—even if they’re terrifying or sad in the moment.  But my greatest inspiration is a very rich dream life, which has been the case since my first memories.  I’m not always influenced by any one specific dream—more by this pervasive certainty that there’s a whole other multidimensional world that I’m part of, which I can only take fragments of back to so-called waking life.

What is your idea of a good work of fiction?

KS – One that works on both the micro level of detail, and as unified whole.  Books with individual sentences I ponder over, particular scenes, as well as making me want to reread them completely.  Ultimately, I believe good fiction is what makes you want to read it again.  When you think about it, we apply that same criterion to music and visual art.

Do you feel that creativity becomes captive when it is up for sale?  Is writing for pleasure, a free form of writing better than the formal one?

KS – No, I see great value in the disciplines of professionalism.  Working with deadlines, respect for audience, diligence in fact checking where necessary, the self-control of editing and revising.  I don’t begrudge people the satisfaction of creativity in any form.  I encourage it absolutely.  But that doesn’t mean that someone has real talent and is an artist because they express themselves.  I also think that working within a professional framework humanizes the end creative achievement.  Art becomes meaningful when it’s shared and there needs to be some shared risk in that.  Audiences in any form enter into the work more fully when they pay for it.  It’s just human nature.  I think all the discussion of “commercialism” in the arts overlooks the simple spectrum principle.  You can go to a gourmet restaurant for fine dining and a real experience—or you can go to McDonald’s for a quick cheap feed.  In both cases however, you pay.  Both are commercial.

When the musician, painter, sculpture, poet, writer Kris is resting what does the other Kris do?  What are your other passions?

KS – A good portion of the rest of my time now is spent corresponding with associates, fans, agents, etc in relation to those activities—in other words the promotional, business side.  Some of it is honestly hustling for attention, some of it is supporting friends and colleagues as best I can.  The musical collaboration takes a lot of organizing.  The intensity of the time demands had a lot to do with my divorce and the recent end of a five-year relationship.  I do a lot of walking with my dog.  I used to be heavily into adventure sports like whitewater kayaking.  I have binges of intense new reading.  But I’ve been pretty hard focused on work of late.

Share some experiences from your journey to publishing your first novel.

KS – Well, my first published novel was really about my fifteenth.  I’d written a lot of highly experimental stuff that I thought was terribly interesting, but no commercial publisher agreed.  They in fact seriously doubted my sanity.  Some of those manuscripts survive in bits and pieces and keep insinuating themselves in new work.  Others I destroyed in a fit of depression and during a period of younger drug use.  My road to book publication is something I wouldn’t wish on anyone.

I love the websites for your books ZANESVILLE and PRIVATE MIDNIGHT and the music for PM.  Tell us about the inception of these unique, captivating ways to promote your work.

KS – I draw on skills I’ve made my living with promoting other people and organizations.  So, I wanted to apply them to work of mine.  There’s unquestionably a pure promotional aspect to them.  But there’s also a larger and I think much more interesting desire to make the works live on more levels—to potentially reach people who may not be readers.  Sharing in as many ways as the works allow.

Tell us about Clamon ?  I loved the tracks based on PRIVATE MIDNIGHT and would like you to share something about them.

KS – Clamon is an informal and highly flexible arts collective of people I admire and enjoy working with.  In many cases we work remotely from 12,000 miles apart.  Steve Joseph in Houston is a key collaborator.  Lyric Powers has done much of the main graphic design.  There’s the enjoyment of a sense of tribe—and the ability to extend a concept into other media.  I think extensions are something all writers have to think about today.  The music reflects these other strong individual’s response to the work.

MP3 for Private midnight

You once said “writers need to be dreamers”.  For dreamers like me who are at the threshold of a door that leads to the unknown yet adventurous world of writing, what advice would you give ?

What happens when a dream is crushed or left suspended?  When words shrug their shoulders and walk away and you stare into a biblioblackhole ?  Did you ever face such a situation?

KS – Rejection, disappointment…the struggle to be paid—any kind of “career” in the arts is fraught with so much uncertainty and heartache this way, you have to wonder why anyone would choose such a path.  So, it has to choose you.  Only very hardy people can survive the hard knocks on the business front.  As to the artistic challenges and crises…the times when the creative solutions aren’t coming, fatigue and depression set in, inspiration just isn’t there…I perversely believe you have to be the kind of person who enjoys those moments.  Listen to what your doubt or anxiety is telling you.  Listen to your anger as much as to your joy.  The more you can embrace the whole of your own psychic being (with all its failings), the more you will connect with people.  The crucial dividing line between the amateur and the true artist (however successful finally) is that the amateur seeks primarily approval.  The artist is seeking connection and self-awareness.

Tell us about your co authors, your animal companions, and how their presence in your life made it richer.

KS – Almost too much to tell there.  My dingo Gyp and my mastiff Luciano (and Tom the cat) have been extremely close spiritual companions…and also very close down-to-earth/on the bed friends.  If I had to encapsulate what they’ve taught me, it’s that the spiritual and down-to-earth aren’t opposites at all.  They’re the same meditation, as the Buddhists would say.  They’ve also made me more aware of means, performance, and demonstration in the world.  The mastiff head butts me for a pat.  Well, what other means does he have?  I think in human relations, especially in romantic ones, we forget there are only so many means at hand to communicate, to express.  I’ve grown more appreciative of seemingly simple gestures…the apparently off-hand remark.

It often takes a good amount of courage and belief to go against the tide.  What would you suggest to writers who like me who want to move away from the normal and take the dangerous road?

KS – The responsible answer is “don’t do it.”  A more considered answer is to be very articulate about what you mean by the “normal.”  The clearer you are about what you feel you’re breaking away from, or wanting to break away from, the more successful you will be.  But I think this larger principle holds—it’s much more important what you value and are in favor of, than what you dislike or resist.  Rebelling against something doesn’t necessarily give you a new direction, and we end up admiring advocates much more than critics.  As my gangster stepbrother would’ve said, “Have enemies because of who’s on your side and what side you’re on.”

How important it is to stay rooted to the culture and society we live in?  What if one wants to venture beyond?  How do we know of our calling as a writer?  Thoughts, ideas come as a deluge sometimes but how does the inner editor work?  It is always turmoil for a learner like me.

KS – Can we ever escape our culture?  Many have tried.  They’ve moved far away physically (as I have)…they’ve adopted new ways, sometimes another language.  They often seem to become more a part of their origin culture as a result!  It’s always ourselves we’re in search of, and we are all examples of our cultural backgrounds, as much as we are arguments against narrowly defining them.  I’m no more a representative American than you are of India.  And yet…

As to managing the flood of ideas, give up.  You’re a parent.  I’m sure you started off with some ideal notions about raising children.  Things don’t work out that way.  Love doesn’t work out that way.  You have to enjoy the mess of process.  Be glad you have some chaos in your head and in your heart.  That’s what art is all about.  The only remedy is constant work and training.  Like a dancer.  Like a martial artist or tradesman.  Like a musician.  Practice the scales.  Throw stuff out.  Making love is like that too.  We’re all pretty clumsy and foolish at the start.  And there has never been in any endeavor, even among the most beautifully talented by nature, ANYONE, who couldn’t get better through work.  Many people expect things to come too easily.  Good things come to those who work and failure is a very fine teacher.

We have read some memorable write ups about your family.  How did your growing up years influence you?  Share one incident that changed the course of your life for good?

KS – My father was a complicated man-child.  Frustrating, failed, impossible not to like, yet always sneaky and not entirely to be trusted.  A cowardly war hero, a nervous but brilliant preacher, an alcoholic-innocent teacher, leader and lost soul boy.  But once (and scenes like this repeat a lot in my growing up) we were driving through the California foothills to go fishing in the mountains.  A mix of old volcanic land and terrain that had been raped by the Gold Rush and its aftermath.  A blank field of jagged shale, like a dead planet, shining under hot high summer sun.  The car broke down, no one around.  I was about eight.  Sweaty, thirsty, irritable.  From his adult perspective, it could’ve been a painful moment.  Then we looked out through the sun glare over these shards of thin granite and saw—literally thousands of Monarch butterflies—it happened to be that moment in the year when they appear in mass numbers.  It looked like some strange imaginary storm over the stones.  “Isn’t it lucky,” he said.  I think about that still, whether in moments of annoying inconvenience—or real tragedy.  We so want things to go smoothly…and yet we long for the wonderful to happen.  Then we wonder why it doesn’t seem to enough.

Share the art of pulling together a good story especially if it’s going to be slightly away from the set “norms” of writing.

KS – I’d happily do this, if I had the answer.  I remain a student.  What I’m certain of is that any good story demonstrates what works in all art—some distinctive balance between intentional structure and organic, quixotic flow.  I think that comes out of losing yourself in your characters.  Plot really is secondary.  In a great story, action and character seem to meld together.  I never set out to write something odd for the sake of it—but I never dismiss any possible line of drama or scene that crosses my path, whether from walking around life, dreams, something heard from others’ experience or stray imaginings.  I’m a scavenger and relentless what-iffer.  As the poet Ann Sexton observed about a humble paperclip on her desk…if it were larger it would look something like a snowshoe.

Mind game and fairy tale, PRIVATE MIDNIGHT is a novel to treasure.  I am half way through it and it is a complete turn on for people who love to play with primal emotions.  Aren’t we all haunted by time?

KS – I think we all are haunted by time, but some are more haunted by themselves too.  Often the causal factor is the denial of primal emotions—the inability to channel them—so that they can take on monstrous proportions.  The main character in PM suffers this problem acutely.  His past becomes a monster.  El Miedo, which means The Fear.

Does your being a multimedia artist make you break through categories and bend and experiment with various subjects?

KS – It may be the other way around.  Some internal drive has necessitated a multimedia response.

The Bizarro Starter Kit is next on my reading list.  Why is this genre not really recognized in the fiction world when we are deep inside so much bizarreness?

KS – Oh, I think this genre is gaining great traction around the world, in underground circles at least.  You can’t be alternative, avant-garde, edgy (however you want to put that) and be openly accepted by the mainstream.  Bizarro is an affront to much “serious” writing and the publishing mechanisms behind that.  They also value having fun with what they do.  The bigger question is how they will respond when a serious major publisher offers to buy them out, which will happen one day.

In all my discussions and interactions with you as a friend, student and admirer I discovered a rich life and a beautiful heart that needs to be shared with everyone.  Have you ever thought of writing a biography or a collection of memoirs?

KS – My most recently completed work is called SEA MONKEYS, and is with my agent now.  It explores the childhood / coming of age part of my life.

This year has been exceptionally good for you.   SINISTER MINIATURES and ENIGMATIC PILOT are already making waves and EAT JELLIED EELS AND THINK DISTANT THOUGHTS has been accepted for publication.  After SEA MONKEYS, what’s next?

KS – A continued period of intensive writing, and sadly not much painting.  Three other novels are in the works right now, and I’m working with Clamon on music and video for REVEREND AMERICA, which is scheduled to be released in February 2012.

Any plans to raid the sub continent?

KS – I’d love to.  Probably not realistically until 2013.  When there’s some more time.

What kind of readership do you have in this part of the world?  Do you think people appreciate your style of writing here?

KS Tabish Khair, a Man Booker Prize nominee did a feature on ZANESVILLE for the Indian version of the Wall Street Journal.  I think I have a potentially fairly large audience.  It’s arguably become or fast becoming, the world’s most sophisticated audience for literature.

You love jazz and have such a fantastic taste in music.  You introduced me to a whole new world of great artists.  Does music inspire you while writing like it does me?

KS – Constantly, although very often indirectly.  Music is deeply mysterious, because it can be examined objectively as a system—more so than any other human creation except mathematics.  Yet, if it’s just system, it’s not felt as music.  I try to hear what that implies for writing as well.

Let’s talk about COLORS OF COMPULSION , your portfolio book of paintings.  I have seen your graphic work and it is as mind-boggling as your prose, absolutely delicious to say the least.

KS – Thank you very much.  It’s very meaningful for me, and I’ve been naturally pleased that it’s been taken up others.  I’m proud to have had sales and to be officially represented, but it’s honestly my very personal amateur side.  Professional validation is just a wonderful bonus in this form.

Would you like to share something I have missed and your heart desires?

KS – The only thing I can think to say here is that like every artist, I seek a certain level of success.  I just would like personally to avoid the level of pretension and self-satisfaction that seems to come with it.  It’s unfortunate to say the least that some of our most lauded artists become so taken with themselves they lose sight of anything else.  I always think back to working in a hospital.  Cleaning a bedpan brings you right down to the truth of it all.  Same with burying a dog.

Any parting thoughts you would like to share with us?

KS – Stay true to your heroes.  Take issue with them, try to transcend them if you can.  Revise them.  Discard and exchange them.  But never outgrow the need for heroes.


Some more learning with Kris

KS on Facebook

Author’s Page on FB

Kris’s Blog 

The Nervous Breakdown Articles

Complete book list of Kris




Reverend America is available on Amazon . Do pick it up .